Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.   Related Paintings of Vittore Carpaccio :. | The Meditation on the Passion | Cure of a possessed man through the patriarch of Grado | Two Venetian Ladies | The Ambassadors Depart | St.Augustine in his study |
Related Artists:
ANDREA DA MURANO
Italian painter, Venetian school (known 1462-1502) Italian painter. He is first recorded working as a gilder at S Zaccaria, Venice, in 1463-5. He was one of a number of artists from the island of Murano. Among these he is closest to Bartolomeo Vivarini, whose pupil he may have been. The two collaborated in 1468 on a narrative canvas (destr.) for the Scuola di S Marco, Venice, which probably depicted scenes from the Life of Abraham. The rather harsh sculptural quality of his forms owes much to the influence of Mantegna and Donatello in Padua, and his work has often been associated (and sometimes confused) with that of Andrea del Castagno. He did not, however, ignore the more recent developments of Giovanni Bellini. His triptych depicting SS Vincent Ferrer, Roch, Sebastian and Peter Martyr, with a lunette of the Madonna of Mercy and Four Saints (Venice, Accad.), probably painted in the late 1470s, shows a real concern with light and colour. By the mid-1480s Andrea had settled in Castelfranco on the mainland, chiefly painting altarpieces in the (by then well established) Venetian sacra conversazione form. The altarpiece (1484-1502) in the parish church at Trebaseleghe, nr Padua, is a variation on the form, with Christ embracing the plague saints Sebastian and Roch above and other saints and musicians below, all showing the high degree of expression characteristic of his works. It is one of his finest paintings and also perhaps the most expensive Venetian altarpiece of its day. The altarpiece depicting the Virgin Enthroned with SS Peter, Nicholas of Bari, John the Baptist and Paul (1502; Mussolente, Santuario della Madonna dell' Acqua) is typical of Andrea's work and shows both the strengths and limitations of his art: firm draughtsmanship and expressive qualities combined with a rather conservative composition and somewhat ungainly figures.
Maurycy Gottlieb
Drohobytsch, February 21/28, 1856 - Krakew, July 17, 1879) was a Jewish painter, of Polish-speaking Galician Jews from the western part of Ukraine. He was born in Drohobych (at that time Austria-Hungary), Galicia, modern Lviv region, western Ukraine. Maurycy was one of Isaac and Fanya Tigerman Gottlieb's eleven children. At fifteen, he was enrolled at the Vienna Fine Arts Academy. Later, he would study under Jan Matejko in Krakew. However, he experienced anti-semitism from his fellow students, and left Matejko's studio after less than a year, he then traveled to Norway settling in Molde. After several years he returned to Vienna to pursue his Jewish roots. At twenty, he won a gold medal from a Munich art competition for Shylock and Jessica (at right), showing a scene from Shakespeare's The Merchant of Venice. He based Jessica's face on that of Laura Rosenfeld, to whom he had proposed marriage. However, Rosenfeld rejected his proposal, and wed a Berlin banker. Gottlieb then planned to marry Lola Rosengarten, but when he heard about Rosenfeld's marriage he committed suicide by exposure to the elements, dying of complications from a cold. Despite his early death, more than three hundred of his works survive, though not all are finished. After the fall of the Iron Curtain, many Polish collections unknown in the West were discovered, and his reputation grew greatly. His brother, painter Leopold Gottlieb, was born five years after his death.
Lethiere, Guillaume Guillon
French Painter, 1760-1832